by Chuck O’Connor
“Macbeth is a cautionary tale. It warns the audience about the snowball effect of vaulting ambition. This is a timeless subject. Whether you’re in a power race for a kingdom or bending the stock market, the push for ‘more’ will result in consequences.” So says Zack Meyer, Fight Director for Polarity Ensemble Theatre’s Macbeth, opening this Saturday, February 1 at the Greenhouse Theater Center. Live percussion, ritual dance and unusual weaponry are some of the element that make this production so exciting. Zack Meyer is one of the talented design specialists behind the scenes.
Meyer’s interpretation of the classic tragedy is defined in a specific plan that will make the tragedy immediate. “My vision for the choreography is to showcase characters through very primitive weapons. Knives and sticks make fighting and killing way more intimate and visceral since everything needs to be up close to the other character. I want the audience to be asking themselves if one murder is more justifiable than another. Where does the moral line get drawn? Was one murder a tragedy and one a necessity? Is there a difference between hitting someone with a stick and stabbing with a knife? There is no heroic slaying of a monster in our show. You see fear in Macbeth as you see in Lady Macduff. You see rage and murderous intent in Macduff as you see in the Murderers. At the end of the day, is one ‘better’ than the other?”
Meyer’s marriage of the philosophical with the physical has aided past PET productions where he worked as the Fight Director for Tom Jones and Adrift in 2012. He has been pursuing his theatrical passion since childhood. Meyer grew up in the suburb of Aurora, IL where theatre always seemed to have some sort of involvement in his life. He performed in the community and at his high school. When he was 17, he played Borachio in Much Ado About Nothing. He was given a very nice cavalry saber for his costume. It was like giving candy to a baby. He never wanted to put it down.
Meyer attended Western Illinois University and received a BA in Theatre. Along with having a fantastic track for studying performance, WIU also has an enormous Stage Combat program and armory where Zack was able to work with and study under multiple Certified Teachers from the Society of American Fight Directors (SAFD) and Dueling Arts International (DAI). After college, he sought training at the International Stunt School in Washington and from other teachers in the Chicago area.
Those who have never yet seen an accessible, exciting production of Shakespeare will be delighted with this fast-paced Macbeth, infused with Meyer’s choreography. “My inspirations usually come from wrestling,” says Meyer, “One of my artistic heroes is Jackie Chan. The man is a machine, a gifted athlete but above all, he is an amazing actor when he fights. I respect the speed and amazing technique of performers like Ray Park, Jet Li, and Donnie Yen but Jackie Chan can create a wonderful story within his fights while doing jaw-dropping stunts. At the end of the day, I’d prefer that the character was a human and not a really fast robot.”
All this adds up to what should be a great night out. “I’ve been having a ball with working on this show. I’ve been given a generous amount of time to work with the actors who are always moving forward in their progress with each rehearsal.”
Come on out and see the vaulting ambition of the Bard’s classic tragedy. You will enjoy visceral experience of fight-night and an intelligent meditation on the evil of greed. The combination promises to add up to an exciting theater experience.
Previews for Macbeth are January 30 and 31 at 8 p.m.; opening night is Saturday, February 1 at 8 p.m. The show runs Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 3:00 p.m. through Sunday, March 2.
Tickets $20 for general admission; $15 for seniors; $10 for students with valid I.D. Tickets are available by calling 773-404-7336 or online at the Greenhouse Theater Center.